The role of the eunuch (spado) in Roman society was a complicated one; in this poem of Luxorius, we see that eunuchs were bound by strict gender roles. As usual, the poet's tone is critical, but not violent; he is following the same biting style of his predecessors Catullus and Martial.
A young royal eunuch
Dolled up with his golden curls
With roses braided in his hair
Put a headdress* on his head.
Knowing full well that he shouldn’t,
He *knew* what he was doing,
And nobody forced him to wear it,
And he was made worse for it.
Rutilo decens
capillo
roseoque crine
ephebus
spado regius
mitellam
capiti suo
locavit;
proprii memor
pudoris,
bene conscius
quid esset
posuit cogente
nullo
fuerat minus quod
illi.
--Luxorius XII
Little is known about the life of the Roman poet Luxorius except that he lived in Carthage (modern Tunisia, northern Africa) during the 6th century CE and that his poetry was popular in the court of the Vandal kings. His poetry provides us with rare insight into the changing customs as the Roman Empire transitioned from a polytheistic to a monotheistic society.
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